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Cork floors provide a natural
environment for art in a new gallery.


Cork floors make a significant
environmental contribution to the
preservation of art at a new private
museum and archives near Atlanta,
Georgia. According to consulting
director Gordon Lewis "Cork floors are
stable, and they do not outgas into the
sensitive preservation atmosphere.
They provide thermal insulation, as we
maintain strict temperature and
humidity control, and acoustical
dampening, which is quite important in
a museum and archives setting.

"Cork is well known for its thermal properties, critical in a temperature and humidity controlled
facility like this. We have one gallery which is over 3000 square feet, with doors opening directly
to the outside. Creating and maintaining the properly-controlled environmental conditions require
contributions from all the structural materials, not just the HVAC systems."

A number of factors were researched to determine that CorkDirect floating floor planks would be
the most appropriate flooring for the Museum application.

"Naturally," Lewis says, "the first concern was purity. Cork itself is hypo-allergenic, and CorkDirect
floors do not have a plastic surface layer. We retained the original u.v.-cured acrylic finish they
were supplied with, and did not add any site-finishing. We used the one-foot by three-foot
interlocking planks which are have their own underlayment built in, which are glued to each other,
not the subfloor, to make a single entity floating on the slab."

An indoor air quality consultant and an expert in sustainable architecture applications were called
in, and a group of other tests were run. "In addition to not outgassing, cork proved to have
impressive resistance to atmospheric absorption, and to recover well after sustaining physical
compression."

The facility, like any commercial installation, faced the issue of the ability of cork floors to
withstand traffic. "From the experiences of other commercial users we spoke with, we were able to
determine anecdotally that cork floors performed well in various commercial traffic applications. In
addition, we have extremely heavy works of sculpture on the floor, which we move from time to
time. Recovery after compression is a critical specification, which the CorkDirect planks met very
well."

Lewis points out that "In a gallery, the viewer is intentionally over-sensitized to the way things
look. For us, with so much sculpture standing on the floor, the cork surface actually becomes the
background to the art itself. Our patrons will look at the floor much more, and with greater
awareness, than people usually regard floors in public spaces."

"CorkDirect floating floor planks met or exceeded our requirements in every way. Because they are
technically correct for the preservation environment, the cork floors were an exceptional choice."